South Indian history Tnpsc Samacheer Notes

A . Pallavas Sources Administration Social, Economic, and Cultural Conditions B. Chalukyas – Development of Arts C. Rashtrakutas – Contribution to Arts D. Cholas – Social, Economic, and Cultural Conditions Social Conditions Economic Conditions Cultural Conditions Reference Samacheer Books 11th New History Books 2026 – 2027 11th Old History Books

A . Pallavas

South Indian Kingdoms - pallava era coins

Sources

  • Epigraphical Charters by Period:
    • First Line (250–350 A.D.): Issued charters in Prakrit, including prominent rulers Sivaskandavarman and Vijayaskandavarman.
    • Second Line (350–550 A.D.): Issued charters in Sanskrit; notably Vishnugopa, who was defeated by Samudragupta during his South Indian campaign.
    • Third Line (from 575 A.D. to 9th Century): Began with Simhavishnu and issued charters in both Sanskrit and Tamil.
  • Inscriptions:
    • Kuram Copper Plates: Mention the victory of Narasimhavarman I over Pulakesin II at the Battle of Manimangalam.
    • Mandagappattu Inscription: Praises Mahendravarman I as Vichitrachitta for constructing a temple for Brahma, Vishnu, and Siva without brick, timber, metal, or mortar.
    • Music Inscriptions: The Kudumianmalai inscription (ascribed to Mahendravarman I) references musical notes and instruments, while the Mamandur inscription records notations on vocal music.
  • Foreign Accounts:
    • Chinese pilgrim Hiuen Tsang visited Kanchipuram during the reign of Narasimhavarman I and documented detailed observations of the city, its monasteries, and its culture of learning.
  • Literary Sources:
    • Sanskrit play Mattavilasa Prahasanam by Mahendravarman I.
    • Tamil religious collections: Devaram (composed by Saiva Nayanmars) and Nalayiradivyaprabandam (composed by Vaishnava Alwars).
    • Bharathavenba (Tamil translation of the Mahabharata) written by Perundevanar under the patronage of Nandivarman II, alongside the anonymous work Nandikkalambagam.

Administration

  • Central Hierarchy:
    • The king stood as the centre of administration and the supreme fountain of justice, assisted by able ministers.
    • Maintained a well-trained army for territorial defense and expansion.
  • Territorial Division:
    • The Pallava kingdom was divided into administrative units known as Kottams, governed by officers appointed directly by the crown.
  • Revenue and Taxation:
    • Land tax served as the primary source of revenue.
    • Lands donated to temples (Devadhana) and Brahmans (Brahmadeya) were completely exempt from taxes.
    • Taxes were also levied on traders and specialized artisans, such as carpenters, goldsmiths, washermen, oil-pressers, and weavers.
  • Irrigation Initiatives:
    • State administration oversaw the construction and maintenance of major irrigation infrastructure.
    • King Mahendravarman I commissioned the digging of extensive irrigation tanks at Mahendravadi and Mamandoor.
  • Village Governance:
    • Village assemblies known as sabhas functioned through specialized committees.
    • The committees managed local affairs, maintained property records of village lands, and oversaw the upkeep of local temples.

Social, Economic, and Cultural Conditions

  • Social Conditions:
    • The Tamil social structure became increasingly rigid, establishing the caste system firmly with Brahmins occupying the highest tier.
    • Royal grants of land (Brahmadeya) and key responsibilities over temple operations elevated the social and economic status of Brahmins.
  • Economic Conditions:
    • Agriculture was anchored by state-sponsored irrigation tanks.
    • Artisans and mercantile classes maintained active occupational networks, contributing to state revenues through profession-based levies.
    • Maritime trade flourished, especially during the reign of Narasimhavarman II (Rajasimha), who dispatched diplomatic and commercial embassies to China.
  • Religious Life (Bhakti Movement):
    • Saivism and Vaishnavism experienced a massive revival, leading to a direct decline in the influence of Buddhism and Jainism.
    • Saiva Nayanmars and Vaishnava Alwars spearheaded the Bhakti Movement, popularizing faith and intense personal devotion through vernacular Tamil devotional hymns.
    • Royalty actively shifted allegiances; Mahendravarman I abandoned Jainism for Saivism under the influence of Saiva saint Thirunavukkarasar (Appar).
  • Education and Learning:
    • Kanchipuram became a prestigious educational seat hosting the famous Ghatika, drawing scholars across India and abroad.
    • Kadamba founder Mayurasarman studied Vedic texts at Kanchi.
    • Renowned Buddhist scholar Dignaga studied at Kanchi, and Dharmapala (later head of Nalanda University) hailed from the city.
    • Notable Sanskrit literary masters flourished: Bharavi lived during Simhavishnu’s era, and Dandin was patronized by Rajasimha.
  • Fine Arts:
    • Music and dance saw widespread royal patronage; the text/commentary Dakshinchitra was compiled under Mahendravarman I (who held the title Chitrakarapuli).
    • Fresco and rock paintings were executed at sites such as Sittannavasal.
    • Temple sculptures captured dynamic classical dance poses and depictions.
  • Four Stages of Pallava Temple Architecture:
    • Stage I (Rock-cut Caves): Initiated by Mahendravarman I at Mandagappattu, Mahendravadi, Mamandur, Dalavanur, Tiruchirappalli, Vallam, Siyamangalam, and Tirukalukkunram.
    • Stage II (Monolithic Rathas and Mandapas): Developed under Narasimhavarman I at Mamallapuram; included the five Panchapandava rathas (illustrating distinct architectural styles) and sculpted mandapas such as Mahishasuramardhini, Tirumurthi, and Varaha.
    • Stage III (Early Structural Temples): Introduced by Rajasimha using soft sand rocks; represented by the Shore Temple at Mamallapuram and the Kailasanatha temple at Kanchi (the masterpiece of Pallava art).
    • Stage IV (Later Structural Temples): Built by later Pallava kings, including the Vaikundaperumal, Muktheeswara, and Matagenswara temples at Kanchipuram.
  • Open-Air Bas-Relief Sculpture:
    • The Open Art Gallery at Mamallapuram includes The Descent of the Ganges (or Penance of Arjuna), famed as a “fresco painting in stone” with depictions of elephants, a lice-picking monkey, and the erect “ascetic cat”.

B. Chalukyas – Development of Arts

  • Vesara Architectural Style:
    • Developed the Vesara style in structural temple architecture, which later reached culmination under the Rashtrakutas and Hoysalas.
  • Cave Temples and Murals:
    • Excavated rock-cut cave temples at Ajanta, Ellora, and Nasik.
    • Produced paintings in the Badami cave temples and Ajanta caves.
    • An Ajanta mural portrays Pulakesin II receiving a Persian embassy.
  • Stage I – Aihole and Badami:
    • Aihole contains roughly seventy structural temples, led by four prominent specimens:
      • Ladh Khan temple: A low, flat-roofed structure with a pillared hall.
      • Durga temple: Sculptural layout resembling a Buddhist Chaitya.
      • Huchimalligudi temple.
      • Meguti Jain temple.
    • Badami features notable temples such as the Muktheeswara temple and the Melagutti Sivalaya.
    • Badami contains four rock-cut cave temples displaying walls and pillared halls decorated with sculptures of deities and humans.
  • Stage II – Pattadakal:
    • Features ten structural temples exhibiting a confluence of architectural styles:
      • Northern Style (4 temples): Exemplified by the Papanatha temple.
      • Dravidian Style (6 temples): Exemplified by the Sangamesvara temple and the Virupaksha temple.
    • The Virupaksha temple was built by a queen of Vikramaditya II on the model of Kanchi’s Kailasanatha temple, employing master craftsmen brought directly from Kanchipuram.

C. Rashtrakutas – Contribution to Arts

  • Kailasa Temple at Ellora (Cave 16):
    • Excavated under the patronage of Krishna I as a monolithic rock-cut structure carved entirely from a single rock block (200 ft long, 100 ft wide, 100 ft high).
    • Stands on a 25-foot-high plinth adorned with central carvings of elephants and lions that appear to carry the entire superstructure.
    • Follows a Dravidian layout with four structural components: the main sanctum, an entrance gateway, an intermediate Nandi shrine, and surrounding cloistered mandapas.
    • Features a three-tiered sikhara reminiscent of the monolithic rathas at Mamallapuram.
    • Interior pillared hall contains sixteen square monolithic pillars.
    • Walls contain narrative reliefs, including Goddess Durga slaying the Buffalo demon, Ravana attempting to shake and lift Mount Kailasa, and multiple scenes from the Ramayana.
  • Elephanta Island Sculptures:
    • Located on an island near Mumbai originally known as Sripuri (renamed Elephanta by the Portuguese after its colossal stone elephant).
    • Features massive dwara-palaka sentinels guarding the sanctum entrance.
    • Prakara wall niches depict Shiva in various manifestations: Nataraja, Gangadhara, Ardhanareesvara, and Somaskanda.
    • Houses the 6-metre-high Trimurthi sculpture, representing Shiva’s three cosmic aspects as Creator, Preserver, and Destroyer.
  • Literary Arts:
    • Sanskrit Patronage: Trivikrama composed the Nalachampu; Halayudha authored Kavirahasya during Krishna III’s reign; Jinasena wrote Parsvabhudaya; Gunabhadra authored the Adipurana; Sakatayana composed the grammatical treatise Amogavritti; Viracharya compiled the mathematical work Ganitasaram.
    • Kannada Emergence: King Amoghavarsha I penned Kavirajamarga, the earliest poetic work in the Kannada language. Pampa composed Vikramasenavijaya, and Ponna wrote Santipurana.

D. Cholas – Social, Economic, and Cultural Conditions

Social Conditions

  • Caste Stratification:
    • The caste system was firmly established, with Brahmins and Kshatriyas enjoying distinct state privileges.
    • Later Chola inscriptions record the societal bifurcation into two broad caste alignments: Valangai (Right-Hand) and Idangai (Left-Hand) groups, though inter-caste cooperation endured in civic and religious functions.
  • Status of Women:
    • Women’s social position did not see significant advancement.
    • The practice of sati was prevalent among royal families.
    • The devadasi system (temple dancing women dedicated to religious service) emerged and became institutionalized.

Economic Conditions

  • Agricultural Foundation and Expansion:
    • Widespread clearance and reclamation of forest tracts brought large areas under cultivation.
    • Irrigation infrastructure was systematically maintained through tanks, channels, and water reservoirs like the Cholagangam tank dug by Rajendra I.
  • Industries and Crafts:
    • Weaving flourished into a major organized industry, highlighted by the high-grade silk-weaving networks of Kanchipuram.
    • Metalworking reached advanced levels due to the demand for bronze icons and ceremonial temple utensils.
  • Commerce and Trade Networks:
    • Domestic transit was supported by trunk roads (peruvazhis) and organized merchant guilds.
    • The crown minted gold, silver, and copper coins across various denominations.
    • Dynamic maritime trade connected the empire with China, Sumatra, Java, and Arabia.
    • Large numbers of Arabian war horses were imported to equip Chola cavalry regiments.
    • Urban trading guilds operated in designated market cities (nagaram) administered by bodies called nagarattar.

Cultural Conditions

  • Religion and Temples as Socio-Economic Hubs:
    • Both Saivism and Vaishnavism flourished, receiving endowments, revenue grants, and architectural patronage from royal houses.
    • Temples were not only places of worship but served as large centres of economic activity, employing artisans, musicians, dancers, administrators, and treasuries.
    • Religious mathas held considerable institutional and educational influence.
  • Education:
    • Advanced educational centers and colleges functioned at Ennayiram, Thirumukkudal, and Thirubhuvanai.
    • Curriculum extended beyond the Vedas and Epics to encompass specialized studies in mathematics and medicine, supported by dedicated land grants.
  • Literature:
    • Represents the golden age of Tamil literature:
      • Sivakasintamani (by Thiruthakkadevar) and Kundalakesi (10th century).
      • Kamban’s Ramayana and Sekkilar’s Periyapuranam (Tiruttondarpuranam).
      • Jayankondar’s Kalingattupparani (depicting Kulottunga I’s war) and Ottakuthar’s Moovarula (chronicling three Chola kings).
      • Pugalendi’s Nalavenba.
      • Grammar treatises: Kalladam (by Kalladanar), Yapperungalam (by Amirthasagarar), Nannul (by Pavanandhi), and Virasoliyam (by Buddhamitra).
  • Temple Architecture (Vimana Tradition):
    • Culmination of the Dravidian style, characterized by tall towers over the sanctum (vimana).
    • Early architectural specimens: Temples at Narthamalai, Kodumbalur, and Srinivasanallur.
    • Brihadeeswara Temple (Big Temple) at Tanjore: Built by Rajaraja I (completed 1010 A.D.); features a massive vimana, ardhamandapa, mahamandapa, and an open Nandimandapa.
    • Gangaikondacholapuram Temple: Constructed by Rajendra I to mirror the grandeur of Tanjore.
    • Later Chola temples: Airavathesvara temple at Darasuram and Kampaharesvara temple at Tribhuvanam.
  • Sculpture and Bronze Casting:
    • Temple walls were decorated with life-sized, sculpted stone icons.
    • Lost-wax bronze casting produced celebrated art, most notably the iconic representations of Nataraja (dancing Siva).
  • Paintings:
    • Classical Chola murals adorn the sanctum and corridor walls of the temples at Narthamalai and Tanjore.

Reference Samacheer Books

11th New History Books 2026 – 2027

11th Old History Books

Age of Vijayanagaram Tnpsc

Age of Vijayanagaram

The Age of Vijayanagaram was a period of great cultural and economic prosperity in South India. It lasted from the 14th to the 17th centuries and was marked by the rise of the Vijayanagara Empire, which was the dominant power in the region for over 200 years.

The Vijayanagara Empire was founded in 1336 by Harihara I and Bukka Raya I, two brothers. The empire quickly expanded to cover much of South India, and its capital, Hampi, became a major centre of trade, commerce, and culture.

The Age of Vijayanagaram was a time of great artistic and architectural achievement. The empire was home to some of the most beautiful temples, palaces, and other structures in India. The empire also supported a thriving tradition of literature, music, and dance.

The empire’s economy was based on agriculture, trade, and commerce. The empire was a major producer of rice, cotton, and other agricultural products. It was also a major trading centre, with goods from all over India and the world being traded in its markets.

The Age of Vijayanagaram came to an end in the 17th century, when the empire was conquered by a coalition of Muslim sultanates. However, the legacy of the empire continues to be felt in South India today.

Major achievements of the Age of Vijayanagaram:

  • Political stability: The Vijayanagara Empire provided a period of political stability in South India, which allowed for economic and cultural development.
  • Economic prosperity: The empire was a major centre of trade and commerce, which led to economic prosperity for the region.
  • Cultural flowering: The empire was a major centre of art, architecture, literature, music, and dance.

Some of the most famous works of art and architecture from the Age of Vijayanagaram include:

  • Hampi: The ruins of Hampi, the former capital of the Vijayanagara Empire, are a UNESCO World Heritage Site.
  • Virupaksha Temple: This temple is dedicated to Lord Virupaksha, a form of Lord Shiva. It is located in Hampi.
  • Vittala Temple: This temple is dedicated to Lord Vishnu. It is located in Hampi.

The Age of Vijayanagaram was a golden age for South India. It was a time of great cultural and economic prosperity, and its legacy continues to be felt today.

Vijayanagar empire History

The four dynasties such as Sangama, Saluva, Tuluva and Aravidu, ruled Vijayanagar from A.D. 1336 to 1672. The sources of history and other details about the Vijayanagar Kingdom are found in the works of Krishnadevaraya’s Amukthamalyada, Gangadevi’s Maduravijayam and Allasani Peddanna’s Manucharitam.

The Moroccan traveller, Ibn Battuta, Venetian traveller Nicolo de Conti, Persian traveller Abdur Razzak and the Portuguese traveller Domingo Paes left some details of life in Vijayanagar in their works.

The achievements of Vijayanagar rulers were known from copper inscriptions such as Srirangam copper platers of Devaraya II.

Hampi and other monuments provide great evidence of their cultural contributions and coins issued are the major source of information.

Political history

The Vijayanagar empire was founded in 1336 by Harihara and Bukka of the Sangama Dynasty. Harihara and Bukka were originally served under the Kakatiya rulers of Warangal. Then they went to Kampili and they were imprisoned and were converted to Islam.

Later by the advice of saint Vidyaranya, they were converted back to Shaivism (Hindu Religion). Then they proclaimed independence and founded a new city on the southern banks of the river Tungabhadra and named the new city Vijayanagar.

They expanded the empire as the Hoysala Kingdom was declining. By 1346, they brought the Hoysala kingdom under their control.

War and Conflict

There was a struggle between the Vijayanagar Empire and the Sultanate of Madurai, which lasted for about four decades.

Kumarakampana destroyed the Madurai Sultans and the whole of South India, that is up to Rameswaram went into the hands of the Vijayanagar empire. This expedition to Madurai was described in Maduravijayam.

The conflict between Vijayanagara and the Bahmani Kingdom lasted for many years. This is due to a dispute over Raichur Doab, the region between the rivers Krishna and Tungabhadra, and the fertile Krishna-Godavari delta.

The greatest ruler of the Sangama dynasty was Deva Raya II. Even he could not have any clear win against Bahmani Sultans.

After the death of Deva Raya II, the Sangama dynasty became weak and the next dynasty Saluva Dynasty founded Saluva Narasimha reigned for only a short period (1486-1509).

Krishna Deva Raya (1509-1530)

Krishna Deva Raya belonged to the Tuluva Dynasty. This dynasty was founded by Vira Narasimha.

Krishna Deva Raya possessed great military skills, an imposing personality and with high intellectual quality. As soon as he came into power, his first task was to check the Bahmani Kingdom. But by the time he came into the Bahmani Kingdom was went into control of the powerful Delhi Sultanates.

Now ruling Bahmani armies were defeated in the battle of Diwani. Then Krishna Deva Raya invaded the Raichur Doah. This resulted in a fight with the Sultan of Bijapur – Ismail Adil Shah. Krishna Deva Raya won and captured Raichur city in 1520 and captured Bidar in the battle.

Then he defeated Gajapathi ruler Prataparudra in Orissa and conquered the whole of Telungana.

He maintained friendly relations with the Portuguese and Portuguese governor for India’s possession, Albuquerque sent his ambassadors to Krishna Deva Raya.

Krishna Deva Raya was Vaishnavaite and he respected all religions and was a great patron of literature and art and was known as Andra Bhoja.

Eight eminent scholars known as Ashtadiggajas were at his royal court.

Allasani Peddanna was the greatest and he was called Andrakavita Pitamaga his greatest works include Manucharitam and Harikathasaram. Pingali Suranna and Tenali Ramakrishna were other important scholars.

Krishna Deva Raya himself authored Telugu work, Amukthamalyadha and Sanskrit work Jambavati Kalyanam and Ushaparinayam.

Krishna Deva Raya built the famous Vittalaswamy and Hazara Ramaswamy temples at Vijayanagar and also built a new city called Nagalapuram in memory of his queen Nagaladevi and also built several large Rayagopurams.

Final Days of the Dynasty

After the death of Krishna Deva Raya, Achutadeva and Venkata succeeded to the throne. Then Rama Raya came to power.

The combined forces of Bijapur, Ahmadnagar, Golkonda and Bidar defeated Rama Raya at the Battle of Talaikotta in 1565. This battle is known as Raksasa Thangadi. Rama Raya was imprisoned and executed and then the city of Vijayanagara was destroyed.

However, the Vijayanagar Kingdom existed under the Aravidu Dynasty for about another century. Thirumala, Sri Ranga and Venkata II were important rulers of this dynasty.

The last ruler of the Vijayanagar kingdom was Sri Ranga III.

Administration

The throne was hereditary, the king enjoyed absolute authority in executive, judicial and legislative matters and the king was the highest court of appeal.

The King was assisted by a council of ministers and the empire was divided into different administrative units called Mandalams, Nadus, Sthalas and Gramas.

The governor of Mandalam was called Mandaleswara or Nayak. Besides land revenue, tributes and gifts from vassals and feudal chiefs, customs collected at the ports, and taxes on various professions were other sources of income.

Land Revenue was fixed generally one-sixth of the produce. The top-grade officers of the army were known as Nayaks or Poligars and they were given granted land in place of their services and these granted lands were called Amaram.

Soldiers were usually paid in cash.

Sometimes usurpation to the throne took place as Saluva Narasimha came to power by ending the Sangama Dynasty.

Cultural contribution

Their style of temple building is called as Vijayanagar style and it is characterized by the Dravida Style with unique features.

In the pillars of their temple, horses were the most common animal found and the temple had an open pavilion called Mandapam over a raised platform which is meant for deity seating on special occasions.

Vijayanagar temples also have Kalyana Mandapam with carved pillars. The important temples are Hampi, Vitthalaswamy and Hazara Ramaswamy are fine examples.

The presence of Raya Gopuram, or towers in different corners of the empire and as usual, Garbhagriha was the central part, where the main deity was placed.

Literature

Vijayanagar Empire literature was composed in many languages such as Sanskrit, Telugu, Tamil and Kannada. Their literature reached a zenith during the Krishna Deva Raja period.

For his contribution to the literature, he was called Andhra Bhoja.

Famous scholars are Srinatha, Pothana, Jakkama and Duggana, who translated Sanskrit and Prakrit works into Telugu.

Maduravijayam

Gangadevi wrote MaduraVijayam, during Bukka-I. Mahantaka Sudhanidhi and a commentary on the Brahmasutras of Badrayana are Sanskrit works of Devraya-II.

Point to Remember

Vijayanagar Empire
  • Manucharitam – It is written by Allasani Peddana, who was one of eight poets of Krishnadevaraya court, commonly referred to as Ashtadiggajalu. Manucharitam is one of the greatest works of Allasani Peddana, which provides us with an account of the caste system of the Vijayanagar empire.
  • Jambavati Kalyanam – It is a Sanskrit written by the king Krishna Deva Raya, is based on Jambavti daughter of Jambavan. Jambavan was a bear king who helped Lord Ram in the war against Tamil King Ravana.
  • Vijayanagar dynasty rulers
    • Harihara I (1336-1356 AD)
    • Bukka I (1356 AD- 1377 AD)
    • Harihara Raya II (1377-1404 AD)
    • Virupaksha Raya (1404-1405 AD)
    • Deva Raya I (1406-1422 AD)
    • Vira Vijaya Bukka Raya (1422-1424 AD)
    • Deva Raya II (1424-1446 AD)
    • Praudha Raya (1485 AD)

Conclusion

In this article, we have discussed the History of the Vijayanagar Empire, their religion, culture, and their art and architecture.

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1.Vijayanagar Empire Notes PDF Tamil Nadu state board book

History UPSC notes – Resource, Approach, and Preparation

Preparing for the history section of the UPSC examination can be daunting, but with a structured approach and reliable resources, it becomes manageable. Here’s a detailed guide to help aspirants streamline their preparation for this crucial subject.


1. Understanding the Syllabus

The UPSC syllabus for history can be broadly divided into three categories:

  1. Ancient History
    • Prehistoric cultures in India
    • Indus Valley Civilization
    • Vedic Age and Later Vedic Age
    • Religious movements (Buddhism and Jainism)
    • Mauryan and Post-Mauryan periods
  2. Medieval History
    • Delhi Sultanate
    • Mughal Empire
    • Regional kingdoms and their significance
    • Bhakti and Sufi movements
  3. Modern History
    • Advent of Europeans in India
    • British policies and their impact
    • Socio-religious reforms in the 19th century
    • Nationalist movements and independence struggle
  4. World History (for GS Paper I, Mains)
    • Industrial Revolution
    • World Wars
    • Colonization and decolonization
    • Cold War and its impact

2. Resources for History Preparation

To effectively prepare, you need standard and comprehensive resources:

  1. Books:
    • Ancient History: India’s Ancient Past by R.S. Sharma
    • Medieval History: History of Medieval India by Satish Chandra
    • Modern History: India’s Struggle for Independence by Bipan Chandra
    • World History: Mastering Modern World History by Norman Lowe
  2. NCERT Textbooks:
    • Class VI to XII History books for a solid foundational understanding.
  3. Reference Books:
    • A Brief History of Modern India by Spectrum Publications (Modern History)
    • Themes in Indian History (Part I, II, III) NCERT
  4. Online Resources:
    • Websites like PIB, NIOS, and IGNOU materials
    • Online video lectures and platforms like Unacademy, BYJU’s, and YouTube channels dedicated to UPSC preparation
  5. Mock Tests and Previous Years’ Question Papers:
    • Solve past 10 years’ question papers to understand trends.
    • Enroll in mock tests to assess your preparation.

3. Approach to Study History

  1. Integrated Approach:
    • Link topics from Ancient, Medieval, and Modern history to current affairs.
    • Relate historical events to cultural and political developments.
  2. Chronological Understanding:
    • Prepare a timeline of major events to connect the dots between periods.
  3. Thematic Preparation:
    • Group topics under themes like political, economic, social, and cultural history.
    • Focus on reforms, revolutions, and key personalities.
  4. Answer Writing Practice:
    • Write concise and structured answers for Mains.
    • Use maps, diagrams, and flowcharts to enhance presentation.
  5. Revision:
    • Revise regularly and consolidate notes.
    • Highlight key points for quick reference before the exam.

4. Tips for Effective History Preparation

  1. Focus on Conceptual Clarity:
    • Understand the “why” and “how” behind events, not just the “what.”
  2. Memorization Techniques:
    • Use mnemonic devices and storytelling methods for better retention.
  3. Interlinking with Other Subjects:
    • History overlaps with polity, geography, and culture. Leverage these overlaps to reduce the burden.
  4. Current Affairs Linkage:
    • Relate historical events to contemporary issues (e.g., colonial policies and their impact on current governance).

5. Sample Study Plan

  1. Week 1-3:
    • Complete NCERTs for Ancient and Medieval history.
  2. Week 4-6:
    • Focus on Modern history with Bipan Chandra’s books and Spectrum.
  3. Week 7-8:
    • Cover World History topics using Norman Lowe.
  4. Week 9-10:
    • Revise using self-made notes and solve previous years’ papers.
  5. Continuous:
    • Dedicate weekends to mock tests and answer writing.

Conclusion

History for the UPSC Civil Services Examination demands a comprehensive and nuanced understanding of the past. This necessitates a structured approach, diligent resource utilization, and consistent practice. By focusing on foundational textbooks, supplementing with specialized sources, and engaging in regular answer writing and mock tests, aspirants can develop a strong grasp of historical concepts and effectively communicate their knowledge in the examination.

History Upsc Mains

1. Sources
Archaeological sources :
Exploration, excavation, epigraphy, numismatics, monuments.
Literary sources:
Indigenous: Primary and secondary; poetry, scientific literature, literature, literature in regional
languages, religious literature.
Foreign account: Greek, Chinese and Arab writers

2. Pre-history and Proto-history :
Geographical factors; hunting and gathering (paleolithic and mesolithic); Beginning of agriculture
(neolithic and chalcolithic).
3. Indus Valley Civilization :
Origin, date, extent, characteristics-decline, survival and significance, art and architecture.
4. Megalithic Cultures :
Distribution of pastoral and farming cultures outside the Indus, Development of community life,
Settlements, Development of agriculture, Crafts, Pottery, and Iron industry.
5. Aryans and Vedic Period :
Expansions of Aryans in India :
Vedic Period: Religious and philosophic literature; Transformation from Rig Vedic period to the
later Vedic period; Political, social and economical life; Significance of the Vedic Age; Evolution of
Monarchy and Varna system.
6. Period of Mahajanapadas :
Formation of States (Mahajanapada): Republics and monarchies; Rise of urban centres; Trade
routes; Economic growth; Introduction of coinage; Spread of Jainism and Buddism; Rise of
Magadha and Nandas.
Iranian and Mecedonian invasions and their impact.
7. Mauryan Empire :
Foundation of the Mauryan Empire, Chandragupta, Kautilya and Arthashastra; Ashoka; Concept
of Dharma; Edicts; Polity, Administration, Economy; Art, architecture and sculpture; External
contacts; Religion; Spread of religion; Literature.
Disintegration of the empire; sungas and Kanvas.
8. Post-Mauryan Period (Indo-Greeks, Sakas, Kushanas, Western Kshatrapas) :
Contact with outside world; growth of urban centres, economy, coinage, development of religions,
Mahayana, social conditions, art, architecture, culture, literature and science

9. Early State and Society in Eastern India, Deccan and South India:
Kharavela, The Satavahanas, Tamil States of the Sangam Age; Administration, Economy, land
grants, coinage, trade guilds and urban centres; Buddhist centres; Sangam literature and culture;
Art and architecture.
10. Guptas, Vakatakas and Vardhanas:
Polity and administration, Economic conditions, Coinage of the Guptas, Land grants, Decline of
urban centres, Indian feudalism, Caste system, Position of women, Education and educational
institutions; Nalanda, Vikramshila and Vallabhi, Literature, scientific literature, art and
architecture.
11. Regional States during Gupta Era:
The Kadambas, Pallavas, Chalukyas of Badami; Polity and Administration, Trade guilds,
Literature; growth of Vaishnava and Saiva religions. Tamil Bhakit movement, Shankaracharya;
Vedanta; Institutions of temple and temple architecture; Palas, Senas, Rashtrakutas, Paramaras Polity and administration; Cultural aspects. Arab conquest of Sind; Alberuni, The Chaluky as of
Kalyana, Cholas, Hoysalas, Pandyas; Polity and Administration; Local Government; Growth of art
and architecture, religious sects, Institution of temple and Mathas, Agraharas, education and
literature, economy and society.
12. Themes in Early Indian Cultural History:
Languages and texts, major stages in the evolution of art and architecture, major philosophical
thinkers and schools, ideas in Science and Mathematics.
13. Early Medieval India, 750-1200:
Polity: Major political developments in Northern India and the peninsula, origin and the
rise of Rajputs.
The Cholas: administration, village economy and society “Indian Feudalism”.
Agrarian economy and urban settlements.
Trade and commerce.
Society: the status of the Brahman and the new social order.
Condition of women.
Indian science and technology.

14. Cultural Traditions in India,
Philosophy: Skankaracharya and Vedanta, Ramanuja and Vishishtadvaita, Madhva and
Brahma-Mimansa.
Religion: Forms and features of religion, Tamil devotional cult, growth of Bhakti, Islam
and its arrival in India, Sufism.
Literature: Literature in Sanskrit, growth of Tamil literature, literature in the newly
developing languages, Kalhan’s Rajtarangini, Alberuni’s India.
Art and Architecture: Temple architecture, sculpture, painting

15. The Thirteenth Century:
Establishment of the Delhi Sultanate: The Ghurian invasions – factors behind Ghurian
success.
Economic, Social and cultural consequences.
Foundation of Delhi Sultanate and early Turkish Sultans.
Consolidation: The rule of Iltutmish and Balban.
16. The Fourteenth Century:“The Khalji Revolution”.
Alauddin Khalji: Conquests and territorial expansion, agrarian and economic measure.
Muhammad Tughluq: Major projects, agrarian measures, bureaucracy of Muhammad
Tughluq.
Firuz Tugluq: Agrarian measures, achievements in civil engineering and public works,
decline of the Sultanate, foreign contacts and Ibn Battuta’s account.
17.Society, Culture and Economy in the Thirteenth and Fourteenth Centuries:
— Society: composition of rural society, ruling classes, town dwellers, women, religious
classes, caste and slavery under the Sultanate, Bhakti movement, Sufi movement.
— Culture: Persian literature, literature in the regional languages of North India, literaute in
the languages of South India, Sultanate architecture and new structural forms, painting,
evolution of a composite culture.
— Economy: Agricultural Production, rise of urban economy and non-agricultural
production, trade and commerce.
18. The Fifteenth and Early Sixteenth Century-Political Developments and Economy:
— Rise of Provincial Dynasties : Bengal, Kashmir (Zainul Abedin), Gujarat.
— Malwa, Bahmanids.
— The Vijayanagara Empire.
— Lodis.
— Mughal Empire, first phase : Babur, Humayun.
— The Sur Empire : Sher Shah’s administration.
— Portuguese colonial enterprise, Bhakti and Sufi Movements.
19. The Fifteenth and Early Sixteenth Century- Society and culture:
— Regional cultures specificities.
— Literary traditions.
— Provincial architectural.
— Society, culture, literature and the arts in Vijayanagara Empire.
20. Akbar:
— Conquests and consolidation of empire.
— Establishment of jagir and mansab systems.
— Rajput policy.
— Evolution of religious and social outlook. Theory of Sulh-i-kul and religious policy.
— Court patronage of art and technology.
21. Mughal Empire in the Seventeenth Century:
— Major administrative policies of Jahangir, Shahjahan and Aurangzeb.
— The Empire and the Zamindars.
— Religious policies of Jahangir, Shahjahan and Aurangzeb.
— Nature of the Mughal State.
— Late Seventeenth Century crisis and the revolts.
— The Ahom kingdom.
— Shivaji and the early Maratha Kingdom.
22. Economy and society, in the 16th and 17th Centuries:
— Population Agricultural and craft production.
— Towns, commerce with Europe through Dutch, English and French companies : a trade
revolution.
— Indian mercantile classes. Banking, insurance and credit systems.
— Conditions of peasants, Condition of Women.
— Evolution of the Sikh community and the Khalsa Panth.
23. Culture during Mughal Empire:
— Persian histories and other literature.
— Hindi and religious literatures.
— Mughal architecture.
— Mughal painting.
— Provincial architecture and painting.
— Classical music.
— Science and technology.
24. The Eighteenth Century:
— Factors for the decline of the Mughal Empire.
— The regional principalities: Nizam’s Deccan, Bengal, Awadh.
— Maratha ascendancy under the Peshwas.
— The Maratha fiscal and financial system.
— Emergence of Afghan power Battle of Panipat, 1761.
— State of, political, cultural and economic, on eve of the British conquest.
PAPER-II
1. European Penetration into India:
The Early European Settlements; The Portuguese and the Dutch; The English and the French
East India Companies; Their struggle for supremacy; Carnatic Wars; Bengal-The conflict
between the English and the Nawabs of Bengal; Siraj and the English; The Battle of Plassey;
Significance of Plassey.
2. British Expansion in India:
Bengal-Mir Jafar and Mir Kasim; The Battle of Buxar; Mysore; The Marathas; The three
Anglo-Maratha Wars; The Punjab.
3. Early Structure of the British Raj:
The Early administrative structure; From diarchy to direct contol; The Regulating Act (1773);
The Pitt’s India Act (1784); The Charter Act (1833); The Voice of free trade and the changing
character of British colonial rule; The English utilitarian and India.
4. Economic Impact of British Colonial Rule:
(a) Land revenue settlements in British India; The Permanent Settlement; Ryotwari Settlement;
Mahalwari Settlement; Economic impact of the revenue arrangements; Commercialization of agriculture; Rise of landless agrarian labourers; Impoverishment of the rural society.
(b) Dislocation of traditional trade and commerce; De-industrialisation; Decline of traditional
crafts; Drain of wealth; Economic transformation of India; Railroad and communication
network including telegraph and postal services; Famine and poverty in the rural interior;
European business enterprise and its limitations.
5. Social and Cultural Developments:
The state of indigenous education, its dislocation; Orientalist-Anglicist controversy, The
introduction of western education in India; The rise of press, literature and public opinion;
The rise of modern vernacular literature; Progress of Science; Christian missionary activities
in India.
6. Social and Religious Reform Movements in Bengal and Other Areas:
Ram Mohan Roy, The Brahmo Movement; Devendranath Tagore; Iswarchandra Vidyasagar;
The Young Bengal Movement; Dayanada Saraswati; The social reform movements in India
including Sati, widow remarriage, child marriage etc.; The contribution of Indian renaissance
to the growth of modern India; Islamic revivalism-the Feraizi and Wahabi Movements.
7. Indian Response to British Rule:
Peasant movement and tribal uprisings in the 18th and 19th centuries including the Rangpur
Dhing (1783), the Kol Rebellion (1832), the Mopla Rebellion in Malabar (1841-1920), the
Santal Hul (1855), Indigo Rebellion (1859-60), Deccan Uprising (1875) and the Munda
Ulgulan (1899-1900); The Great Revolt of 1857 —Origin, character, casuses of failure, the
consequences; The shift in the character of peasant uprisings in the post-1857 period; the
peasant movements of the 1920s and 1930s.
8. Factors leading to the birth of Indian Nationalism; Politics of Association; The Foundation of
the Indian National Congress; The Safety-valve thesis relating to the birth of the Congress;
Programme and objectives of Early Congress; the social composition of early Congress
leadership; the Moderates and Extremists; The Partition of Bengal (1905); The Swadeshi
Movement in Bengal; the economic and political aspects of Swadeshi Movement; The
beginning of revolutionary extremism in India.
9. Rise of Gandhi; Character of Gandhian nationalism; Gandhi’s popular appeal; Rowlatt
Satyagraha; the Khilafat Movement; the Non-cooperation Movement; National politics from
the end of the Non-cooperation movement to the beginning of the Civil Disobedience
Movement; the two phases of the Civil Disobedience Movement; Simon Commission; The
Nehru Report; the Round Table Conferences; Nationalism and the Peasant Movements;
Nationalism and Working class movements; Women and Indian youth and students in Indian
politics (1885-1947); the election of 1937 and the formation of ministries; Cripps Mission;
the Quit India Movement; the Wavell Plan; The Cabinet Mission.
10. Constitutional Developments in the Colonial India between 1858 and 1935.
11. Other strands in the National Movement.
The Revolutionaries: Bengal, the Punjab, Maharashtra, U.P. the Madras Presidency, Outside
India.
The Left; The Left within the Congress: Jawaharlal Nehru, Subhas Chandra Bose, the Congress
Socialist Party; the Communist Party of India, other left parties.
2. Politics of Separatism; the Muslim League; the Hindu Mahasabha; Communalism and the
politics of partition; Transfer of power; Independence.
13. Consolidation as a Nation; Nehru’s Foreign Policy; India and her neighbours (1947-1964);
The linguistic reorganisation of States (1935-1947); Regionalism and regional inequality;
Integration of Princely States; Princes in electoral politics; the Question of National Language.
14. Caste and Ethnicity after 1947; Backward Castes and Tribes in post-colonial electoral politics;
Dalit movements.
15. Economic development and political change; Land reforms; the politics of planning and rural
reconstruction; Ecology and environmental policy in post-colonial India; Progress of Science.
16. Enlightenment and Modern ideas:
(i) Major Ideas of Enlightenment : Kant, Rousseau.
(ii) Spread of Enlightenment in the colonies.
(iii) Rise of socialist ideas (up to Marx); spread of Marxian Socialism.
17. Origins of Modern Politics :
(i) European States System.
(ii) American Revolution and the Constitution.
(iii) French Revolution and Aftermath, 1789-1815.
(iv) American Civil War with reference to Abraham Lincoln and the abolition of slavery.
(v) British Democratic politics, 1815-1850 : Parliamentary Reformers, Free Traders, Chartists.
18. Industrialization :
(i) English Industrial Revolution : Causes and Impact on Society.
(ii) Industrialization in other countries : USA, Germany, Russia, Japan.
(iii) Industrialization and Globalization.
19. Nation-State System :
(i) Rise of Nationalism in 19th century.
(ii) Nationalism : State-building in Germany and Italy.
(iii) Disintegration of Empires in the face of the emergence of nationalities across the World.
20. Imperialism and Colonialism :
(i) South and South-East Asia.
(ii) Latin America and South Africa.
(iii) Australia.
(iv) Imperialism and free trade: Rise of neo-imperialism.
21. Revolution and Counter-Revolution :
(i) 19th Century European revolutions.
(ii) The Russian Revolution of 1917-1921.
(iii) Fascist Counter-Revolution, Italy and Germany.
(iv) The Chinese Revolution of 1949.
22. World Wars :
(i) 1st and 2nd World Wars as Total Wars : Societal implications.
(ii) World War I : Causes and Consequences.
(iii) World War II : Causes and Consequences.
23. The World after World War II:
(i) Emergence of Two power blocs.
(ii) Emergence of Third World and non-alignment.
(iii) UNO and the global disputes.
24 . Liberation from Colonial Rule :
(i) Latin America-Bolivar.
(ii) Arab World-Egypt.
(iii) Africa-Apartheid to Democracy.
(iv)South-East Asia-Vietnam.
25. Decolonization and Underdevelopment :
(i) Factors constraining Development ; Latin America, Africa.
26. Unification of Europe :
(i) Post War Foundations ; NATO and European Community.
(ii) Consolidation and Expansion of European Community
(iii) European Union.
27. Disintegration of Soviet Union and the Rise of the Unipolar World :
(i) Factors leading to the collapse of Soviet Communism and Soviet Union, 1985-1991.
(ii) Political Changes in East Europe 1989-2001.
(iii) End of the Cold War and US Ascendancy in the World as the lone superpower.

Advent of European in India Upsc Notes, Portuguese Dutch English French

Advent of the European Powers in India

The Europeans came to India is mainly for trade and commercial contracts. India has had relations with the Europeans for thousands of years. The coming of Alexander is great evidence.

There is a great demand for Indian Silk, spices, muslin, and handlooms fabrics in European markets.

India exported pepper, cloves, chilies, cinnamon, ginger, cloves, cinnamon, coconut, cane sugar, indigo, etc to western countries.

Europe had three major trade routes to India they are as follows:

  1. Via Afganistan, Central Asia, and the Caspian Sea and terminating at the Black Sea Coast.
  2. Via Persia and Syria directing to the port of Alexandria on the Mediterranean coast of Europe.
  3. The Sea route via the Arabian Sea, the Persian Gulf, and the Red Sea.

In 1453 A.D the Ottoman Turks captured Constantinople and created problems for European merchants by blocking the land route which passes through Afghanistan.

Also, the other Trade routes to India were in trouble due to the Arab conquest in the 8th century A.D. As a result, Europeans were in need to find a new sea route to India.

The advent of the Europeans – Portuguese

The Portuguese were the first to discover a new sea route to India.

Prince Henry of Portugal began a school for training seamen regarding navigation methods scientifically. As a result of Prince’s interest in the field of Navigation, He is called the ” Henry, the Navigator “.

Advent of the Europeans in India Upsc
Coat of arms of Portuguese India By Thommy – Own work, based on Flags of the World – Flags of portuguese colonies, Coat of arms of Portuguese India (1951-1974).svg, Blason of Goa (ancient).svg and Índia portuguesa.PNG., Public Domain, https://commons.wikimedia.org/w/index.php?curid=5741262

Bartholomeu Diaz

Bartholomeu Diaz
By Bartolomeu_Dias,_South_Africa_House.JPG: RedCoat (en:User:RedCoat10)derivative work: Biser Todorov (talk) – Bartolomeu_Dias,_South_Africa_House.JPG, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=7586424

Bartholomeu Diaz was the first sailor from Portugues who set a voyage in 1487 AD. He reached up to the southernmost tip of Africa, as there was a storm when he reached, Bartholomeu Diaz named it Cape of Storms.

Then the Portuguese King renamed it, The Cape of Good Hope, with the hope of discovering a sea route.

Vasco da Gama

Vasco da Gama
Vasco da Gama By anonymous – Own work, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=61575307

Vasco da Gama, on 27 May 1498, crossed the Cape of Good Hope and reached Calicut in Kerala, India. He was given a good reception by Zamorin of Calicut, a Hindu Ruler.

In 1501, Vasco da Gama came to India for the second time and set up a factory at Cannanore. The Portuguese also established factories at Calicut, Cochin, and Cannanore which all reside on the West Coast of India.

Francisco De Almeida

Francisco De Almeida
Francisco De Almeida By Unknown author – Palácio do Correio Velho, Public Domain, https://commons.wikimedia.org/w/index.php?curid=46210635

Francisco De Almeida(1505-1509) was the first viceroy of Portuguese in India. During his tenure, the Portuguese defeated the Arab Traders.

Francisco De Almeida’s aim is to increase the Portuguese naval power and to become the master of the Indian ocean. This policy of dominating the other country’s settlement by naval force was known as the “Blue Water Policy”.

Francisco Almeida was defeated and killed by Egyptians in 1509.

Alfonso De Albuquerque

Alfonso De Albuquerque
Alfonso De Albuquerque By Unknown author – Palácio do Correio Velho, Public Domain, https://commons.wikimedia.org/w/index.php?curid=46209342

Alfonso De Albuquerque (1509-1515) was the second viceroy of Portuguese possessions in India. Alfonso De Albuquerque was a great conqueror. He captured Goa from Bijapur Sultan in 1510 and made Goa the capital.

Alfonso De Albuquerque also strengthened the relationship with the Emperor of Vijayanagar. He captured Malacca in the Far East in 1511 and build the port of Ormuz in the Persian Gulf in 1515.

Alfonso De Albuquerque can be called as Real founder of Portuguese power in India. He was also a good administrator, he treated the Hindus well. He opened a school for the education of the locals.

The Muslims became the enemy of the Portuguese because of their religious policy. Alfonso de Albuquerque encouraged the Portuguese to marry Indian Women.

He died in 1515 in Goa. After the death of Alfonso De Albuquerque, the Portuguese captured Diu, Daman, Bombay, Ceylon, Salsette, Bassein, and Hugli. Portuguese power declined after a century.

Reasons for the Decline of Portuguese in India

The main reason is the successors of Albuquerque were weak, and they are unable to strengthen the Portuguese in India. The Indian merchants are pirated by the Portuguese.

The natives were forced to convert to Christianity by the Portuguese and they also destroyed Hindu temples. Their religious policy developed the enmity of the Muslims.

The fall of the Vijayanagar Kingdom in the battle of Talikotta in 1565 AD was a great blow to the Portuguese, as the Portuguese maintained good relationships only with the Vijayanagar Kingdom in India.

In 1580, Portugal came under the rule of Spain in Europe and the arrival of English and Dutch in India weakened their position in India.

Dutch advent in India

The Dutch invasion of India started after the decline of the Portuguese. The Dutch East India Company was formed in 1602 by the Dutch people of Holland. They began trading with Eastern Countries.

They mostly traded with East Asia called “Spice Islands”. The Dutch have their factories at Chisura, Nagapattinam, Surat, and Masulipatnam. Near Madras, they founded Pulicat in 1610 and constructed a fort.

The Dutch established trading centers at Surat, Broach, Cambay, Ahmedabad, Patna, and Kazimbazaar. Meanwhile, the English also tried to trade in “Spice Islands”, but the Dutch did not love it.

The Dutch made an elaborate plan and killed many English merchants at Amboyna in 1623 AD. This is called as Amboyna massacre. The Amboyna massacre created enmity between the English and the Dutch. Then the English left the far east Asia Islands and concentrated on India.

The English were more powerful in India and they were far more powerful than the Dutch. The Dutch were no match for the English in India and the Dutch lost their territory to the English one by one.

The English captured Chinsura and Nagapattinam. Thus Dutch possessions came to an end.

The Advent of the Europeans – The British or The English

In 1588, the English defeated the Spanish Armada and become the most powerful naval power of Europe, and began to start colonies in the Eastern Countries. So the English East India Company was started by 100 merchants in London who received a Charter from Queen Elizabeth-I on December 31st, 1600 to start trading with the East.

In 1608, King James-I sent Captain William Hawkins to Mughal Emperor Jahangir to get permission to set a factory at Surat. Due to the influence of the Portuguese, Jahangir did not give permission to the English.

But Sir Thomas Roe successfully got permission from Jahangir and set up English trading centers at Agra, Broach, and Ahmedabad. In 1639, Francis Day bought land from Raja of Chandragiri and formed a new city called Madras.

In 1640 the English built Fort St. George to protect the commodities. Charles-II of England married Catherine, daughter of King of Portugal. The Bombay, a small village is given as dowry to Charles-II, King of England.

In 1668, Charles II gave Bombay to the English East India Company at a rent of 10 Pounds. In 1699, Aurangazeb granted permission to set a factory in Calcutta. Later the English build Fort William at Calcutta, after King William III.

The English established factories at Hariharpur, Balasore, Hugli, and Kazimbazaar. The English East India Company increased its influence and took control over India until 1858. Then the administration of India was taken over by the British crown.

The Advent of the Europeans – The Danish

The Denmark people were known as the Danish. In 1620, they established their trading centers in Tranquebar and Serampore in Bengal 1676. But the Danish never concentrated their trade with India and sold their trading centers to the British.

The Advent of the Europeans – The French

The French East India Company was established in 1664 by Colbert, a minister of Louis XIV who is King of France. The French set their factories in 1668 at Surat and in 1669 at Masulipatnam.

In 1674, they got land from the ruler of Tanjore, in the South of Madras, and established Pondicherry.

Pondicherry then became the headquarters of French in India. In 1690, they established Chandranagore settlement, got Mahe in 1725, and Karaikal in 1739.

Dupleix in 1742 came to India as a governor of French possessions and France expanded its territories in India under his tenure. There were constant battles between the French and English to establish their supremacy in India.

Their trade interest led to a number of wars called the Carnatic Wars. Finally, the English came out successfully and established their supremacy in India.

Some Point to Remember in the Advent of the Europeans

  1. Constantinople, a great trading center was captured by Ottoman Turks in 1453 AD.
  2. Francisco-De-Almedia – First Viceroy of Portuguese possessions in India.
  3. In 1600 AD, the English East India Company was started.
  4. Pondicherry became the french headquarter in India.
  5. Portuguese captured Goa from the Sultan of Bijapur.
  6. Captain William Hawkins met Mughal emperor Jahangir at Mughal court.
  7. Sir Thomas Roe arrived in India on 18 September 1615.
  8. Dupleix in 1742 came to India as a governor of French possessions.
  9. East indies are called as Spice Islands.
  10. Vasco da Gama was a Portuguese sailor.
  11. Mahe is a french settlement.

Reference

Samacheer Kalvi, 8th History Book- Government of Tamil Nadu

History of Dutch in India Ncert upsc Notes

Arrival and Colonial Expansion:

  • The Netherlands established colonies across Africa, Asia, the Americas, Australia, and many Pacific islands after conquering large parts of those regions.
  • The Dutch arrived in India in the early 17th century.
  • By the early 17th century, they were exploring trade possibilities in the Indian Ocean alongside other European powers.
  • Growing numbers of Dutch travellers came to India after 1600.

Commercial Focus and Company Administration:

  • Unlike the Portuguese, the Dutch focused primarily on commercial dominance, particularly in the spice trade.
  • They operated through the Dutch East India Company.
  • Like the French, and unlike the Portuguese, the Dutch did not much intervene in the social and religious life of Indians.
  • They competed against other powers, including the French, Portuguese, and English, to secure woven cloth from weavers and supply merchants.

Trading Posts and Regional Presence:

  • West Coast: Established trading posts at Surat, Bharuch, and Cochin (Kochi).
  • East Coast: Established trading posts at Nagapattinam and Masulipatnam (present-day Machilipatnam).
  • Malabar Region: Their most significant presence was in the Malabar region of Kerala, where they displaced the Portuguese from several trading centres.

Decline and Defeat at the Battle of Colachel:

  • The Dutch presence in India was ultimately limited.
  • It declined significantly following their decisive defeat at the Battle of Colachel in 1741.
  • The Travancore forces under King Marthanda Varma decisively defeated the Dutch both on land and at sea (in the southern part of present-day Kerala).
  • This battle represented a rare instance of an Asian power successfully repelling a European colonial force, culminating in the surrender of Dutch forces.

Dutch Individuals in India

  • Francisco Pelsaert: A Dutch traveller who visited the subcontinent during the early decades of the 17th century; he observed widespread poverty among peasants, holding the state responsible.
  • Francois Solvyn: A Dutch painter who arrived in India in the late 18th century and depicted everyday life, including a village pathshala.

Reference Ncert Documents

https://ncert.nic.in/textbook/pdf/hees104.pdf

https://ncert.nic.in/textbook/pdf/hess202.pdf

https://ncert.nic.in/textbook/pdf/hess206.pdf

https://ncert.nic.in/textbook/pdf/lehs301.pdf

Blue water policy in india Upsc Ncert Notes

What is Blue Water Policy?

The Blue Water policy was introduced by the Portuguese in India to control sea trade instead of expanding inland territories. It focused on naval dominance and monopoly over the Indian Ocean trade routes.

Its basic idea is to make Portugal a powerful country in the maritime region under this strategy. In India, it is the fortification of the Indian Ocean for establishing Portuguese business in the Indian Ocean. The aim of the blue water policy of the viceroy of Portugal in India, Francisco de Almeida, was to maintain sea supremacy in the Indian waters and confine their activities to a purely commercial transaction.

Cartaze system that is Blue Water Policy

For several hundred years, the Arabs were the de facto sovereigns of the Indian Ocean, but they did not dispute the supremacy of the rulers of the coast. As a result arabs enjoyed a trade monopoly between India and the West. Also, in the Indian Ocean, no concept of sovereignty was ‘mare librum’.

The Portuguese were a great sea power and had great dominion in the east due to their powerful navy. The Portuguese considered that the sea belonged to them by virtue of the Papal Bulls. That is the freedom of navigation only to the Christians in Europe who are governed by Roman law.

The whole maritime area of ‘Estado da India’, was declared to be mare clausum, by the right of quasi possessio by the Portuguese crown. This provided the legal justification for the Cartaz system. The Portuguese justified this concept and they argued that “the sea belonged to the king of Portugal”.

According to Cartaz, every Asian trading vessel had to purchase a pass or cartaz from the Portuguese authorities and in return, the vessel was qualified for Portuguese protection.

Key feature of Cartaz System (Blue Water Policy)

  • Each cartaz stated the size of the vessel, the list of crew, and to give particular of the ship’s captain.
  • It also described the cargo and stated for which port the ship was bound.
  • Every vessel has to pay dues on the cargo onboard at the fortaleza or deitoria where the cartaz was issued and to leave a sum as security for the payment of similar dues on her return.
  • Some goods, such as spices, metal such as iron and copper, naval stores, etc., were prohibited, as was giving passage to Turks and other muslims.

Violation of the Cartaz System

Any ship that was found to be sailing without Cartaz or that violated the terms of the Cartaz was confiscated, and her crew either killed or sent into slavery to the galleys.

How it worked: The Cartaz System: Economic Rationale

The sum charged for the issue of a cartaz was only nominal; the cartaz system was accutually in reality is a device to create another source of income by diversion of trade to ports that the Portuguese controlled.

It was not considered to imply that the Portuguese had any kind of political hegemony over the states.

Legal and Religious Justification of the Cartaz System

Insofar as the system required justification or legitimacy beyond the raw capacity of Portuguese sea-power to impose it, it was validated by a series of papal bulls. The most notable of these was the Romanus Pontifex promulgated by Nicholas V in 1454, which provided the religious and legal framework for Portuguese maritime claims.

Operational Limits and Convoys

The Cartaz system was only effective in the waters surrounding a few specific ports where the Portuguese maintained a strong presence, where they could provide a cafila or convoy, as they did, for example, on the west coast of India for ships sailing from Goa to Gujarat or to the Malabar coast.

Political Influence and Commercial Treaties

Nevertheless, some form of political dominance, however limited, often followed the establishment of trading relations. Attempts were sometimes made to define these relationships through commercial treaties between the Portuguese and the local rulers.

Limits of Sovereignty and Control

Where no treaties existed or where the Portuguese were granted nothing more than a simple right to trade alongside the merchants of other nations, they couldn’t entertain any pretensions to exclusive control (senhorio) over trade and navigation, let alone to full sovereignty over territory.

Such sovereignty could only be exercised over those lands formally incorporated into the Estado da India, either by conquest or by treaty and subsequently designated as a possessao (possession) of the Portuguese Crown.

Portuguese in India

Bartholomew Diaz was the first navigator to cross the equator. Then Vasco da Gama discovered the sea route to India and reached it on May 17, 1498.

He was welcomed by Manuvikrama Varma, the King of Zamorin of Calicut. The Portuguese established settlements at Cochin, Cannanore, and Calicut in 1502 AD.

In 1502 AD, settlements were established by the Portuguese at Cochin, Cannanore, and Calicut. Cochin was a prime centre for trade up to 1530 AD.

After their death, Vasco da Gama was buried in Cochin.

Portuguese Governors

Francisco de Almada

Francisco de Almada is the first governor. He introduced the Bluewater policy.

Alphonso de Albuquerque

The second Portuguese Governor conquered Goa from the Bijapur Sultan in 1510 AD. He founded the concept of the Portuguese empire in India and encouraged conversions and forced marriages between local and Portuguese officers.

Nino de Cunha

He shifted the capital city from Cochin to Goa. St.Xavier, a popular Jesuit father, visited India during the tenure of Alfanso De D’Souza.

Portuguese Settlements

On the West Coast, the Portuguese had settlements at Ormuz, Dabool, Cambay, Surat, Goa, Daman and Diu, Salsette, Bassein, Kand alyan. The East Coast settlements were Santhome near Chennai and Hugli in Bengal.

On the Malabar Coast, it is Cochin, Calicut, and Cannanore.

Portuguese Trade in India

The spice trade was the main. The Portuguese were the first to start a licensing system and to follow monopolistic trade. The licensor was named Cartazes by the Portuguese.

The decline of Portuguese in India

The English Captain named Best defeated the Portuguese in the Battle of Swalley, and by this, the Portuguese lost Surat. Ormuz lost the Dutch in 1622.

Hugli lost in 1631. Mumbai was given as a dowry in 1661 by the Portuguese to the English, for the marriage between Portuguese Princess Catherine of Braganza and Prince Charles II of England.

The Dutch won Cochin against the Portuguese in 1663. The Salsette and Bassein Islands were occupied by Peshwa Bajirao in 1739.

Because of the defeats against other European nations like the English, Dutch, and Mumbai given as a dowry to the English, the Portuguese were now only left with Goa, Daman, and Diu till 1961 AD.

FAQ

  • Who implemented the blue water policy?

Francisco de Almedica introduced the Bluewater policy or Cartaza System. The idea behind this system was to make Portugal a powerful maritime nation.

References

The First Portuguese Colonial Empire (Exeter Studies in History, 11) Paperback – 30 September 2008

https://www.google.co.in/books/edition/The_First_Portuguese_Colonial_Empire/3z23ci73x5kC?hl=en&gbpv=1&dq=cartaz&pg=PA42&printsec=frontcover

https://www.google.co.in/books/edition/History_of_the_Portuguese_Navigation_in/Kl3IR3RJTIEC?hl=en&gbpv=1&dq=cartaz&pg=PA133&printsec=frontcover

Indian Bronze Sculpture Upsc

Indian Sculptors and Bronze Mastery

Indian sculptors had mastered the bronze medium and the casting process as much as they had mastered terracotta sculpture and carving in stone. The cire-perdu or ‘lost-wax’ process for casting was learnt as long ago as the Indus Valley Culture. Along with it was discovered the process of making alloy of metals by mixing copper, zinc and tin which is called bronze.

Bronze sculptures and statuettes of Buddhist, Hindu and Jain icons have been discovered from many regions of India dating from the second century until the sixteenth century. Most of these were used for ritual worship and are characterised by exquisite beauty and aesthetic appeal. At the same time the metal-casting process continued to be utilised for making articles for various purposes of daily use, such as utensils for cooking, eating, drinking, etc. Present-day tribal communities also utilise the ‘lost-wax’ process for their art expressions.

Early Bronze Sculptures in India

The ‘Dancing Girl’ from Mohenjodaro

Perhaps the ‘Dancing Girl’ from Mohenjodaro is the earliest bronze sculpture datable to 2500 BCE. The limbs and torso of this female figurine are simplified in tubular form.

Bronze Statuettes from Daimabad

A similar group of bronze statuettes have been discovered from archaeological excavation at Daimabad (Maharashtra) datable to 1500 BCE. Significant is the ‘Chariot’, the wheels of which are represented in simple circular shapes while the driver or human rider has been elongated, and the bulls in the forefront are modelled in sturdy forms.

Jain Bronze Sculptures

Jain Bronzes from Chausa, Bihar

Interesting images of Jain tirthankaras have been discovered from Chausa, Bihar, belonging to the Kushana Period during second century CE. These bronzes show how the Indian sculptors had mastered the modelling of
masculine human physique and simplified muscles. Remarkable is the depiction of Adinath or Vrishabhnath, who is identified with long hairlocks dropping to his shoulders. Otherwise the tirthankaras are noted by their
short curly hair.

Akota Hoard: Jain Bronzes of Gujarat

Gujarat and Rajasthan have been strongholds of Jainism since early times. A famous hoard of Jain bronzes was found at Akota, on the outskirts of Baroda, dated between the end of the fifth and the end of the seventh century CE. Finely cast through the lost-wax process, these bronzes were often subsequently inlaid with silver and copper to bring out the eyes, crowns and details of the textiles on which the figures were seated. Many famous Jain bronzes from Chausa in Bihar are now kept in the Patna Museum. Many Jain bronzes from Hansi in Haryana and from various sites in Tamil Nadu and Karnataka are kept in various museums in India.

The hoard of bronzes discovered in Akota near Vadodara established that bronze casting was practised in Gujarat or western India between the sixth and ninth centuries. Most of the images represent the Jain tirthankaras like Mahavira, Parshvanath or Adinath.

A new format was invented in which tirthankaras are seated on a throne; they can be single or combined in a group of three or in a group of twenty-four tirthankaras. Female images were also cast representing yakshinis or Shasanadevis of some prominent tirthankaras. Stylistically, they were influenced by the features of both the Gupta and the Vakataka period bronzes. Chakreshvari is the Shasanadevi of Adinath and Ambika is of Neminath.

Buddha Bronze Sculptures

Gupta and Post-Gupta Period Bronzes

Many standing Buddha images with right hand in abhaya mudra were cast in North India, particularly Uttar Pradesh and Bihar, during the Gupta and Post-Gupta periods, i.e., between the fifth, sixth and seventh centuries.

Styles of Drapery in Buddha Images

The sanghati or the monk’s robe is wrapped to cover the shoulders which turns over the right arm, while the other end of the drapery is wrapped over the left arm. Eventually the pleats are held by the extended hand of the same arm. The drapery falls and spreads into a wide curve at the level of the ankles. The Buddha’s figure is modelled in a subtle manner suggesting, at the same time, the thin quality of the cloth. The whole figure is treated with refinement; there is a certain delicacy in the treatment of the torso.

The figure appears youthful and proportionate in comparison with the Kushana style. In the typical bronze from Dhanesar Khera, Uttar Pradesh, the folds of the drapery are treated as in the Mathura style, i.e., in a series of drooping down curves. Sarnath-style bronzes have foldless drapery. The outstanding example is that of the Buddha image at Sultanganj, Bihar, which is quite a monumental bronze figure. The typical refined style of these bronzes is the hallmark of the classical quality.

Vakataka Bronzes and Their Portability

Vakataka bronze images of the Buddha from Phophnar, Maharashtra, are contemporary with the Gupta period bronzes. They show the influence of the Amaravati style of Andhra Pradesh in the third century CE and at the same time there is a significant change in the draping style of the monk’s robe. Buddha’s right hand in abhaya mudra is free so that the drapery clings to the right side of the body contour. The result is a continuous flowing line on this side of the figure. At the level of the ankles of the Buddha figure the drapery makes a conspicuous curvilinear turn, as it is held by the left hand.

The additional importance of the Gupta and Vakataka bronzes is that they were portable and monks carried them from place to place for the purpose of individual worship or to be installed in Buddhist viharas. In this manner the refined classical style spread to different parts of India and to Asian countries overseas.

Regional Contributions to Bronze Sculptures

Himachal Pradesh and Kashmir: Vishnu and Other Deities

Himachal Pradesh and Kashmir regions also produced bronze images of Buddhist deities as well as Hindu gods and goddesses. Most of these were created during the eighth, ninth and tenth centuries and have a very distinct style in comparison with bronzes from other parts of India. A noteworthy development is the growth of different types of iconography of Vishnu images. Four-headed Vishnu, also known as Chaturanana or Vaikuntha Vishnu, was worshipped in these regions.

While the central face represents Vasudeva, the other two faces are that of Narasimha and Varaha. The Narasimha avatar and Mahishasuramardini Durga images of Himachal Pradesh are among the very dynamic bronzes
from that region.

Nalanda School of Bronze-Casting

In Buddhist centres like Nalanda, a school of bronze- casting emerged around the ninth century during the rule of the Pala Dynasty in Bihar and Bengal regions. In the gap of a few centuries the sculptors at Kurkihar near Nalanda were able to revive the classical style of the Gupta period.

A remarkable bronze is of a four-armed Avalokitesvara, which is a good example of a male figure in graceful tribhanga posture. Worship of female goddesses was adopted which is part of the growth of the Vajrayana phase in Buddhism. Images of Tara became very popular. Seated on a throne, she is accompanied by a growing curvilinear lotus stalk and her right hand is in the abhaya mudra.

South Indian Bronze Sculptures

The bronze casting technique and making of bronze images of traditional icons reached a high stage of
development in South India during the medieval period.

Pallava Period Contributions

Although bronze images were modelled and cast during the Pallava Period in the eighth and ninth centuries, some of the most beautiful and exquisite statues were produced during the Chola Period in Tamil Nadu from the tenth to the twelfth century.

Chola Period Excellence in Bronze Art

The technique and art of fashioning bronze images is still skillfully practised in South India, particularly in Kumbakonam. The distinguished patron during the tenth century was the widowed Chola queen,
Sembiyan Maha Devi. Chola bronzes are the most sought- after collectors’ items by art lovers all over the world.
Among the Pallava Period bronzes of the eighth century is the icon of Shiva seated in ardhaparyanka asana (one
leg kept dangling). The right hand is in the achamana mudra gesture, suggesting that he is about to drink poison.
The well-known dancing figure of Shiva as Nataraja was evolved and fully developed during the Chola Period
and since then many variations of this complex bronze image have been modelled.

Iconography of Shiva in South India

A wide range of Shiva iconography was evolved in the Thanjavur (Tanjore) region of Tamil Nadu. The ninth century kalyanasundara murti is highly remarkable for the manner in which Panigrahana (ceremony of marriage) is represented by two separate statuettes. Shiva with his extended right hand accepts Parvati’s (the bride’s) right hand, who is depicted with a bashful expression and taking a step forward.

The union of Shiva and Parvati is very ingeniously represented in the ardhanarisvara murti in a single image.
Beautiful independent figurines of Parvati have also been modelled, standing in graceful tribhanga posture.

Vijayanagar Period Innovations

Portrait Sculptures of Royal Patrons


During the sixteenth century, known as the Vijayanagar Period in Andhra Pradesh, the sculptors experimented with portrait sculpture in order to preserve knowledge of the royal patron for posterity. At Tirupati, life-size standing portrait statues were cast in bronze, depicting Krishnadevaraya with his two queens, Tirumalamba and
Chinnadevi.

Idealisation in Bronze Portraiture

The sculptor has combined the likeness of the facial features with certain elements of idealisation. The
idealisation is further observed in the manner the physical body is modelled to appear imposing as well as graceful. The standing king and queens are depicted in praying posture, that is, both hands held in the namaskara mudra.

Art and craft of indus valley civilization Upsc Ncert Notes

The arts of the Indus valley civilization came throughout the last half of 3000 BCE. The artworks of the Indus Valley civilisation embrace Sculptures, seals, pottery, gold ornaments, terracotta models, etc.

The artworks of the Indus Valley Civilisation are extremely realistic in the portrayal of human and animal figures. The two major sites of this civilisation are Harappa in the North and Mohenjo-daro in the South.

These 2 sites are wonderful samples of Civic design. The Indus Valley civic design includes homes, Markets, Storage Facilities, public baths, offices, etc. The whole city is organised in an exceedingly grid-like pattern. These cities had an awfully smart drainage system.

Harappa and Mohenjo-daro are presently in the Islamic Republic of Pakistan. In India, there are Lothal and Dholavira, each in Gujarat, Rakhigarhi in Haryana, Ropar in Punjab, Kalibangan, and Balathal in Rajasthan. etc.

Indus Valley Sculptures

Stone Statues

Three-dimensional models are found at Harappa and Mohenjo-daro. There are two prominent male figures, one is made of red sandstone and the other is made of steatite. One is a torso made of Red Sandstone. Steatite figure is a Bearded man with a bust, this man is believed to be a priest, wrapped in a scarf beneath the right arm, and the left shoulder covered.

This shawl is designed with trefoil patterns. This bearded man figure has elongated, little, half-closed eyes. The nose is well-shaped, with an average-sized mouth, the moustache is close-cut and short beard, whiskers.

The ears bear a likeness to double shells with a hole at the centre. Hair moves aloof from one another in the middle, and a plain-woven fillet is passed around the head. An armlet is in the right hand, and holes in the neck show a necklace.

Arts of the Indus Valley-Beared man with bust

Bronze Casting

Harappans made bronze statues using the lost wax technique. Made Human and Animal figures. The best example of a Bronze statue made by the Lost Wax technique is the famous ‘Dancing Girl’.

This method is famous all over the Indus Valley Civilisation. The copper dog and bird of Lothal. Bronze figure of a bull from Kalibangan. Daimabad, a Chalcolithic site, provided good examples of metal cast sculptures.

Copper dog, Lothal site of Indus Valley Civilization

Terracotta Figures

The terracotta figures were more realistic in Kalibangan (Gujarat). The terracotta figures include the Mother Goddess. It includes some figurines, such as Bearded males with curled hair.

The bearded figurines have a rigid posture, legs slightly apart and arms parallel to the body. A terracotta mask of a horned God is also found.

Some of the terracotta objects found are Toy carts with wheels, rattles, birds and animals, whistles, gamesmen, and discs.

Seals

Seals of the Indus Valley are made of terracotta, faience, copper, chert, agate, and steatite. Seals include figures of unicorn bull, rhinoceros, tiger, bison, buffalo, goat, etc

These seals were for commercial purposes, carried as a person’s or a company’s identity cards, or logos. The size of the standard Harappan seal is 2×2 square inches, generally made of Soft river stone, steatite.

Every seal contains some kind of pictographic script that is yet to be deciphered. Some found seals were made of gold or ivory. These seal bears a variety of motifs, bulls without horns and hump, elephants, tigers, goats, and monsters too.

One of the most important seals is the Pashupati seal/ Female Deity with the figure in the centre and animals around. Pashupati seal depicts a human figure seated cross-legged, elephant and tiger on the right side and rhinoceros and buffalo on the left side and two antelopes below the seat.

A considerable number of seals found in Mohenjo-daro date from around 2500 to 1500 BCE. Copper tablets of square and rectangular shapes with animal or human figure on one side, and an inscription on the other side are also found.

The Burin is used to cut the figures and copper tablets. These copper tablets appear to be an amulet ( One who possesses them to have good luck, free from danger, etc). Most animals are portrayed on copper tablets.

Pottery

The pottery of the Indus Valley is mostly wheel-made and very few hands made. Plain pottery is more common than painted ware. Plain pottery is generally made up of red clay, with fine red or grey slip and without fine red or grey slip.

Geometric and animal designs are drawn in glossy black paint on black-painted ware with a fine coating of red slip. Geometric patterns in red, black, green, and rarely white and yellow decorated small vases of Polychrome pottery.

Incised ware is also rare, and the incised decoration was confined to the bases of the pans, always inside and to the dishes of offering stands.

Perforated pottery includes a large hole at the bottom and small holes all over the walls, and was probably used for straining liquor. Miniature vessels, mostly less than half an inch in height, are particularly well crafted to raise excitement.

Ornaments used in the Indus Valley Civilisation

The people have a great sense of fashion; they decorated themselves with ornaments made of valuable metals, gems, bone, and baked clay. The common ornaments worn are finger rings, armlets, fillets, necklaces, etc.

Jewellery found at Mohenjodaro and Lothal incorporates necklaces of gold and semi-precious stones, copper bracelets and beads, gold earrings and head ornaments, faience pendants, and buttons and beads of steatite and gemstones.

Dead bodies found at Farmana in Haryana were buried with ornaments. Evidence of bead factories found at Chanhudaro and Lothal

These beads are made of cornelian, amethyst, jasper, crystal, quartz, steatite, turquoise, lapis lazuli, etc. Metals such as copper, bronze, gold and shell, faience, terracotta, or burnt clay were also used in bead-making.

Cylindrical, spherical, barrel-shaped, and segmented are some of the shapes these beads are made in. Some had incising or painting, and some had designs etched onto them. Models of animals, especially monkeys and squirrels, are used as pinheads and beads.

The spinning of cotton and wool was very common in the valley, as evidenced by the pieces of evidence of a large number of spindles and spindle whorls found in the houses. Men and women wore two pieces of cloth similar to a dhoti. Cinnabar is used as a cosmetic and face paint, lipstick, and collyrium as eyeliner.

Indus Valley civilisation jewellery

In the Indus society, the most commonly found artefacts are Jewellery. Jewellery is adorned by both men and women in this society. The Jewellery is made of gold, silver, copper, ivory, etc.

The people of the Indus Valley Civilisation were the first to explore Jewellery making in the world. Many researchers support this argument. By 1500 BC, the Indus Valley people created moulds for metal and terracotta ornaments.

Gold Ornaments such as necklaces, bracelets, bangles, rings, etc are found here. Both women and men wore jewellery. Also, small beads were placed in men’s and women’s hair. Some ornaments, such as Necklaces, armlets, finger rings, fillets, etc were commonly worn by both men and women.

Conclusion

The jewellery of the Indus Valley civilisation is still studied and researched due to the people’s skill in the gem and precious stone work.

Role of Women in Freedom Struggle Tnpsc

This article is written for Tnpsc for the topic ‘role of women in freedom struggle Tnpsc’.

Women Freedom Fighters of Tamilnadu

Velunachiyar (1730–1796) and Kuyili

Velunachiyar was born to royalty, she was well-versed in English, French, and Urdu and good in martial arts.

She was married to Raja of Sivagangai, Muthu Vadugar at the age of 16. Muthu Vadugar was killed by Nawab of Arcot and company troops under the command of Lt.Col.BonJour, and Sivagangai was captured.

With the help of Gopala Nayakar and Hyder Ali, Velunachiyar recaptured Sivagangai. Velunachiyar is the first ruler or queen to resist the British.

Another woman, Kuyili, a friend of Velunachiyar led a women’s soldiers, did a suicide attack by setting herself on fire and destroying all the ammunition.

Annie Besant

Annie Besant
Annie Besant By Unknown author – https://www.loc.gov/pictures/item/91786293/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=33104662

She was the first woman president of the Indian National Congress and she was responsible for the launch of the Home Rule movement.

Anjalai Ammal

In 1921, she took part in the Non-Cooperation movement, Neil Statue Satyagraha, Salt Satyagraha, and the Quit India Movement. She was nicknamed South India’s Jhansi Rani.

Other famous female freedom fighters of Tamilnadu are Supriya Cherian, Rukmini Lakshmipathi, Krishnammal Jagannathan, etc.

Women Freedom Fighters in other parts of India

Sarala Debi

Sarala Debi
Sarala Debi By Unknown author – Banglapedia, Public Domain, https://commons.wikimedia.org/w/index.php?curid=14850688

She created an organization or group of activists ‘Bharat Stree Mahamandal’ in the year 1910 and combined Hindu revivalism with political protest.

Sarala Devi Chaudhurani founded ‘Bharat Stree Mahamandal‘ in 1910 in Allahabad. It was a women’s organization, and its primary goal is to promote female education.

She opened several branches all over the Indian Subcontinent such as Lahore, Karachi, Kolkata, Delhi, Hyderabad, Amritsar, Bankura, Midnapur, Hazaribagh, and Bankura.

This organization tried to improve the situation of women, which was very bad at that time.

Margret Cousins

Margret Cousins
Margret Cousins By Unknown author – Equal Rights (2 July 1932) XVIII (22) Washington, D.C. : National Woman’s Party, cover. issn=1936-9417 (Subscription required for link access from Alexander Street Press for Women and Social Movements collection), Public Domain, https://commons.wikimedia.org/w/index.php?curid=84474333

Margret Cousins launched the Women’s India Association and also drafted the Indian Women’s voting rights bill.

Sarojini Naidu

Sarojini Naidu
Sarojini Naidu By From the en wikipedia HERE, Public Domain, https://commons.wikimedia.org/w/index.php?curid=1229617

Sarojini Naidu also called Nightingale of India, became president of the Indian National Congres and also emerged as an important freedom fighter.

Rashtriya Stree Sanghas

Sarojini Naidu established the independent body Rashtriya Stree Sanghas which joined with district congress committees and that saw the inclusion of women from all sections of the society including Windows.

Abadi Bano Begum

Abadi Bano Begum, also known as Bi Amma, is the mother of the Ali brothers. She addressed women to join men in picketing.

Also, she made thousands of Devadasi hear Gandhi’s speech.

Katherine Mayo

Katherine Mayo
Katherine Mayo By Unknown (Lafayette Ltd) – http://www.npg.org.uk/collections/search/portraitLarge/mw177874/Katherine-Mayo, Public Domain, https://commons.wikimedia.org/w/index.php?curid=35425596

An American writer, who wrote the book ‘Mother India’. Criticized the Hindu men for treating women like a slave and made the Nationalists and reformers focus on Women.

Sarojini Naidu, Muthulaxmi Reddy, and Margret Cousin were imprisoned for participating in the Civil Disobedience Movement.

Durgavati Devi helped Bhagat Singh escape after the Saunders Killing and she was part Hindustan Socialist Republican Association, and also took part in armed rebellion.

Kalpana Dutt of the Indian republican army led an armed rebellion along with Surya Sen in Bengal. Kalpana Dutt and Pritilata Waddedar attacked European Club in Chittagong in 1931.

 

* * All the Notes in this blog, are referred from Tamil Nadu State Board Books and Samacheer Kalvi Books. Kindly check with the original Tamil Nadu state board books and Ncert Books.